Review: Artemis, by Andy Weir

Posted: November 27, 2017 in Book Reviews, Science Fiction
Tags: , , , ,

Artemis, by Andy Weir front cover(Artemis, by Andy Weir. Crown, 2017, $27.00, 305 pp.)

reviewed by Zeke Teflon

Three years ago, Andy Weir’s debut sci-fi novel, The Martian, arose out of the morass of self-published books, the vast majority of which never go anywhere. (Over 800,000 self-published books appeared last year alone; typical lifetime sales figures for such books are in the range of 100 to 200 copies.)

The Martian, a near-future novel about a stranded astronaut, was the best hard sci-fi novel to appear in ages. So, like many other readers, I’d been eagerly awaiting Weir’s next book.

Like The Martian, Artemis is a near-future hard sci-fi novel that features a plucky, oftentimes funny protagonist who overcomes difficulty after difficulty, often of a technical nature. (The difficulties in The Martian are almost exclusively of a technical nature.) Also, as in The Martian, Weir gets the science right, weaving it into the story without ever condescending to the reader; and both novels take place in familiar near-space settings: Mars and the moon, respectively. Another similarity is the quality of the writing: it’s concise and it flows, in large part due to Weir’s consistent use of active voice, his avoidance of adjectives and adverbs, and his avoidance of taking off on tangents.

The Martian, by Andy WeirThe differences between the two books lie primarily in their protagonists, the difficulties they face, and their goals. In The Martian, the protagonist is Matt Watley, who uses his ingenuity and scientific knowledge to solve a stream of seemingly intractable technical problems in order to survive; in Artemis, the protagonist is Jasmine (“Jazz”) Bashara, a markedly immature, young lapsed Muslim and petty smuggler who uses her wits and technical knowledge in order to survive and to pursue wealth. On the surface, she seems an unlikely, unlikable protagonist, but Weir manages to make her into a sympathetic character through exploration of her rough background and through her having a consistent moral code.

Shortly after Artemis begins, Jazz finds herself hired by a smuggling client to take part in a major criminal operation, and quickly finds herself in over her head. At that point, the seemingly intractable problems and ingenious solutions begin, and continue nonstop through the rest of the book.

As for weaknesses in Artemis, there are a few. The primary one is that the outcomes at the end of the book are just a little too neat, and that on reflection one of the most important outcomes (involving an ownership transfer) seems possible but far from inevitable. Weir presents it so smoothly, though, that it’s easy to let it slide by; only when you think about it a bit will you realize, “Hey! That doesn’t necessarily follow.”

I’d have enjoyed Artemis more if I hadn’t previously read The Martian — the similarities are just too great: a plucky, wise-cracking protagonist facing and overcoming technical problem after technical problem in a familiar setting. Because of that, Artemis wasn’t as fresh and surprising as The Martian. But it’s still a very good book.

Recommended.

* * *

Zeke Teflon is the author of Free Radicals: A Novel of Utopia and Dystopia (pdf sample here). He’s currently working on the sequel, a Spanish=English translation, a Spanish-English translation, two compilations, and an unrelated sci-fi novel in his copious free time. He hopes to complete at least two of those projects over the next year.

Free Radicals, by Zeke Teflon front cover

 

 

 

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