Is it better to be fucked up by religion than by life? And why is damage so sexy?
If I was going to choose, I’d rather be fucked up by religion. At least that is something I could feasibly escape and still be breathing.

Damage is indicative of vulnerability, which I think always feels a little dangerous. It is evidence that a person can feel deeply, that they can be open … then that delicious wall goes up and we just want to scramble over it and save (and feel) the person. It’s irresistible. I also think damage is a glimpse of something honest, and that’s always attractive.

Interview in The Guardian

Joke of the Day 11-13-19

Posted: November 12, 2019 in Humor, Jokes
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Here’s one from Seattle Propane’s always amusing Wallingford Sign site.

(This joke works only if you know some Spanish: “soy” means “I am.”)


One of the most depressing aspects of what passes for modern political discourse is the tendency on both the left and right to engage in collective guilt tripping. You hear this crap constantly: it’s all the fault of the boomers, men, millennials, women, feminists, blacks, whites, godless atheists (a bit redundant there, eh?), immigrants, Muslims, latinos, etc., etc., etc. ad nauseam. (Perhaps even more depressing is the guilt and self-loathing of white liberals who buy into this shit.)

There are several problems with the overly broad assignment of guilt (for damn near anything and everything you can think of). The first is that it’s lazy. It’s a ridiculously easy “analysis.”

The second is that it allows the demonizer to feel superior to the broad class of demonized (whites, blacks, latinos, men, “feminazis,” gay people, Jewish folks, whoever) simply because the demonizer is not a member of the demonized per se evil class. (Never mind what s/he is doing with their own life, never mind that they’re often a pathetic piece of human waste — they’re not a member of the cursed class, so they’re automatically virtuous; at present, this form of mental sickness is most pronounced in the outbreak of white supremacism and its related misogyny/homophobia.)

The third is that collective guilt lets those guilty of real evil off the hook. For instance, if you assign all Germans (including those not even born yet when it occurred) guilt for the Holocaust, it lessens if not eliminates the individual guilt of the murderers. This equal-opportunity guilt/blame places those who fought against and fled the Nazis on the same moral footing as those who perpetrated the horrors. But, gosh, isn’t it convenient to assign the guilt simply to “the Germans”? So easy. (The same of course applies to whites as regards the treatment of black people and Native Americans, and men vis a vis the suppression of women: the one-size-fits-all blame-game lets those guilty of real evil off the hook.)

The fourth is that it sets people against each other. As an example, I’ve spent my entire adult life working to eliminate racism, xenophobia, economic exploitation, religious authoritarianism, misogyny, homophobia — all the forms of coercive domination/submission — and I’ll be goddamned if I’m going to feel guilty for being a straight white male (things over which I have no control). While I share a lot of the goals of the blame-culture PC left, they’ve made themselves into my — and humanity’s — enemies, unwitting dupes of the powers-that-be in their divide-and-conquer game, in their blaming of me and countless others for things utterly beyond our control.

If we’re ever going to make real progress, we can’t do it by eating each other alive. Improvements in such things as wealth and income distribution must benefit damn near everyone; if for only certain classes of people, that’ll further divide us.

The fifth, and perhaps most major, problem is that the simplistic assignment of guilt based on race, gender, ethnicity, etc., is that it short circuits critical analysis. There are complicated reasons for almost every major problem. Assigning guilt to classes of people allows those (often unwittingly) serving the powers-that-be to avoid looking at the underlying societal/economic mechanisms that produce the various horrors (mass unemployment, environmental despoliation, restriction of reproductive rights, climate catastrophe, etc.). In other words, mass guilt provides convenient scapegoats. If you don’t look at the underlying mechanisms, and then do something to fix or replace them, you’ll never get anywhere: you’ll just arrive at an endless miasma of guilt, blame, and hate while those on top stay on top.

The sixth and most obvious problem is that assignment of collective guilt leads to atrocities. Such things as the Holocaust (for imaginary offenses), internment of Japanese-American citizens in concentration camps (again, for imaginary offenses), the Israeli government’s bulldozing of the homes of thousands of suspected Palestinian militants (thus punishing their entire families), and the caging of immigrant children (yet again for imaginary offenses).

The next time you hear someone say it’s all the fault of the Jews, the whites, immigrants, men, blacks, women, gays, Muslims, etc., etc., please realize that that person is a bullshit artist. Someone trying to distract you with scapegoats. Someone who wants to let those actually guilty off the hook. Someone who doesn’t want you to look at the underlying problems. Someone who’s however unwittingly a servant of the powers that be.


“It’s all American music.”

–Clarence “Gatemouth” Brown

I had a long talk this pm with my pal George, an old-pro and great drummer I still sometimes play with, an Italian guy from New Jersey, who was Frank Sinatra Jr.’s drummer for years; we talked about music, musicians, and racism. (George loved Frank Jr., says he was a great guy.)

He told me a story about one of the first things that happened after he moved here (Tucson) from New Jersey. George has the gift of gab, and he got a job working for one of the local Ford dealerships. On his first day, he all but sold a Lincoln to one of the ranchers from up Route 77 north of town, and the jerk came in the next day, spoke to the manager, and said he wanted the car but didn’t want to buy it from an Italian. The manager saw George, said “stay out of the way, I’ll sell the car, you’ll get the commission, and from now on your last name is Joseph.”

George was shocked by the anti-Italian prejudice, something he’d never run into on the East Coast.

But race prejudice and anti-semitism was something he well understood, from anti-black, anti-white, and anti-semitic prejudice in daily life and the band scene in NJ. (There were white-racist and also all-black clubs where they didn’t want mixed-race bands, which is what George always played in.)

It’s so fucking stupid as to be mind boggling.

But it’s there.

And it breeds in isolation. In isolation from people of different races and ethnicities.

That’s one of the great things about most types of American music, especially blues and jazz: you end up playing, often for long periods, with musicians of other races and ethnicities. And you become friends, you come to understand the brotherhood of man (at least the brotherhood of musicians).

In my case, I’ve for years played with black folks, white folks, Mexicans, Native Americans, and Jewish folks. That’s pretty much par for the course for a blues musician. After a while playing with someone, you simply stop thinking about race or ethnicity. You just take them for who they are: Cliff, my black pal the drummer, becomes simply Cliff, my pal the drummer.

About the only places where you’ll still find race prejudice in the American music scene is in (yes — shocking, I know) country and certain types of hard-core rock and roll.

Other than that, we all tend to get along. We have to. It just works that way.

It works out the same in neighborhoods. I live in the most densely populated, most integrated neighborhood in Tucson, which is the most integrated major city in the country. My neighborhood (Keeling — neighborhood motto, “It’s better than it looks”) is about 65% Mexican, 25% white, and 10% black (almost no Native Americans or Asians). And we mostly get along fine. We’re on top of each other, interact every day. And it’s fine, very relaxed.

As a middle-aged ex-gang banger neighbor from Cleveland (a self-described “retired Crip”), put it, “it’s paradise.” In other words, almost no racial tension and almost no overt race prejudice. I couldn’t agree more. This neighborhood is dirt poor, “hard scrabble” as the local paper put it a decade or two ago, but I wouldn’t trade it for anything.

If you want to get rid of race prejudice, get rid of race isolation. That’s the way it works in bands, and that’s the way it works in neighborhoods. Isolation breeds fear and hate.

 

 

 


Death Wins All Wars front coverOur new book, Death Wins All Wars: Resisting the Draft in the 1960s, a Memoir, by Daniel Holland, recently received a nice review in the Winona Daily News. The reviewer states, “It’s worth your money. It’s worth your time. It might even change your life.” (Needless to say, we agree.)

Watch for further reviews of this very well written book.

 


(I normally don’t have much good to say about Barack Obama — the Great Disappointment, who saved the banks but abandoned the people who elected him — but he really hit the nail on the head with the following comment about “woke,” PC culture.)

“If I tweet or hashtag about how you didn’t do something right or used the wrong verb, then I can sit back and feel pretty good about myself because ‘Man did you see how woke I was? . . .'”


Robert Ingersoll

“Infinite punishment is infinite cruelty, endless injustice, immortal meanness. To worship an eternal jailer hardens, debases, and pollutes even the vilest soul. . . . Any man who believes it [the doctrine that hell exists] and has within his breast a decent, throbbing heart, will go insane. A man who believes that doctrine and does not go insane has the heart of a snake and the conscience of a hyena.”

–“The Liberty of Man, Woman and Child”