Posts Tagged ‘T.C. Weber’


Sleep State Interrupt, by T.C. Weber coverOur most recent science fiction novel, Sleep State Interrupt, by T.C. Weber, was just nominated for the 2017 Compton Crook Award for best first science fiction novel. Here are the announcements from Locus (the Publishers Weekly of science fiction)  and the Science Fiction Writers of America.

Sleep State Interrupt is one of only two small press titles nominated for the award. The others are from major sci-fi publishers: Tor, Del Rey, and Harper.

We’ve put up a lengthy excerpt from the book on our server. We hope you enjoy it.

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(thanks to T.C. Weber, author of Sleep State Interrupt, for this one; for more on the topic of reader reviews, see “Why Your Reviews Matter“)


See Sharp Press will publish new science fiction, anarchist, and atheist titles in 2017 and 2018. Here are the books we now have scheduled over the next two years. Work is underway on all of them, and we’ll publish samples from them in advance of publication.

Anarchism

  • Venezuelan Anarchism: The History of a Movement, by Rodolfo Montes de Oca (Fall 2017). The newest installment in our “History of a Movement” series, Venezuelan Anarchism traces the development of anarchism in Venezuela from its beginnings in the 19th century to today.

Atheism

  • 30 Reasons to Abandon Christianity, by Chaz Bufe (Fall 2017). A much expanded version of 20 Reasons to Abandon Christianity, originally a pamphlet, and which is now available in updated e-book form. The original text of 20 Reasons is available here in part 1 and part 2.

Science Fiction

  • The as-yet-untitled sequel to Sleep State Interrupt, by T.C. Weber (Spring 2018). A sample from Sleep State is available here in pdf form.
  • The as-yet-untitled sequel to Free Radicals: A Novel of Utopia and Dystopia, by Zeke Teflon (Fall 2018). A sample from Free Radicals is available here in pdf form.

We’ll likely add at least one or two more titles to this list. Among other things, we’re currently talking with the authors of The Drummer’s Bible about a possible new drum book.


We just put up our 1,000th post —  this  is number 1,003 — a few days ago. We’re now looking through everything we’ve posted, and are putting up “best of” lists in our most popular categories.

This is the third of our first-1,000 “best of” lists. We’ve already posted the Science Fiction “best of” and the Addictions “best of” lists, and will shortly be putting up other “best ofs” in several other categories, including Anarchism, Atheism, Economics, Humor, Music, Politics, Religion, Science, and Skepticism.

Best Interviews


Sleep State Interrupt, by T.C. Weber cover

Our brand new sci-fi title, the cyberpunk thriller Sleep State Interrupt, by T.C. Weber, is back from the printer.  It’s also available as an e-book from all of the usual outlets.

The following interview should be of interest not only to sci-fi fans, but to writers of all genres, as T.C. has a lot to say about the craft of writing, generating plots, and creating believable characters.

If you’d like to check out Sleep State Interrupt, we’ve put up the first four chapters in pdf form,  and the author has put up a site for the book, which has a lot of additional information.

Q: What was the genesis of Sleep State Interrupt?

A: I’ve always been worried about the concentration of media and the decline of journalism, and the threats those trends pose to independent, critical thought and democracy. Then it was just a matter of inventing characters who would also be concerned about it and adding details of a near-future world. I lived in Baltimore and have been involved in music scenes and community organizing, so it was easy to include those as background elements. I have some experience with IT and video/news production. I consulted with experts to fill in the details, especially the tech-related ones.


Q: What advance preparation do you do prior to beginning a novel? Write mini-bios of the characters? Research the locale? Research any scientific matters essential to the book? Anything else?
A: All of the above. The basic story comes first. Then the plot and main characters. I create detailed character sheets, psychological profiles, and even put play lists together for the POV characters. The world also has to be developed. For Sleep State Interrupt, I didn’t need to research the locales since they’re in my backyard. But I did explore predicted technology for 2020-30 and interviewed experts. I’ve written other books, though, that required much more up-front world building. The Drift Horizon (which I’ve been editing off and on for quite a while) is set in a completely different version of Earth and I wrote a sort of Rough Guide/Lonely Planet for the country most of the action is set in.

Q: Are your characters based on people you’ve known, are they amalgams, or are they pure invention?

A: I invent my characters to fill roles in a story. They aren’t based on specific people, though of course real people and events inspire or influence them. I create profiles for my major characters, fleshing out their goals, personalities, backgrounds, appearances, etc. These may change while drafting the story, but usually not a whole lot. I try to make them interesting, since I’ll be spending a lot of time in their heads, I don’t want to be bored. Nor do I want readers to get bored.

Q: How do you generate your plots? Do you work the plot out first and then write? Start out with a general idea of where you want to go and then start writing? Or just sit down in front of a blank screen and start writing?

A: It’s a complicated process. I follow Randy Ingermanson’s Snowflake method (http://www.advancedfictionwriting.com/articles/snowflake-method/) and Larry Brooks’s Story Engineering (https://www.amazon.com/Story-Engineering-Larry-Brooks/dp/1582979987), more or less. The first step is to brainstorm story ideas and pick one worth writing about. I turn this into a “what if” question (like “What if nearly all information was controlled by a powerful elite? Could ordinary people overturn such a system?”) and a one-sentence novel summary (e.g., “An unemployed journalist and her friends try to stop a power-mad CEO from controlling the world.”) The next step is to expand that sentence to a full paragraph describing the story setup, major plot points, and ending of the novel. Then I develop the main characters and their goals, motivations, back story, etc. I weave the character arcs into the plot and write a short synopsis followed by a long synopsis. I convert this to a scene list in Scrivener, with a virtual index card for each scene (ideally with the scene arc outlined). Then finally I start writing, starting with the opening scene and filling out each scene in order. As I write, the story changes, sometimes quite a bit, but at least I have a roadmap to follow.


Q: You write both fiction and nonfiction. What would you say are the similarities and differences between writing nonfiction and writing fiction?

A: There are a lot of similarities. In both cases, you need to think creatively, organize your thoughts, be disciplined, and write clearly. Fiction is much more fun because you can write whatever you want and create your own worlds and people.

Q: How do you get inspired to write?

A: It’s more a question of habit than inspiration. You just have to sit down and get to work.


Q: What’s your writing routine? Do you write every day, and if so do you write at the same time every day? Do you set a goal, in terms of writing time or number of words?

A: I try to write something every morning before going to work, even if it’s just random thoughts or a few paragraphs. If it’s relevant to a current project, I pick it up again after dinner. When working on a novel, my goal is to write one scene each day, schedule permitting. Long scenes may take several days. My time goal is 10 hours/week of writing new material (not including editing or marketing chores). I don’t write nearly as fast as some of my colleagues who can churn out 5000+ words/day, but maybe someday.….


Q: Writing, by its very nature, is an isolating activity and, if you spend much time on it, probably has a negative impact on social life. Do you just live with that or do you do anything specific to deal with it?

A: That would be true if I wrote 12 hours/day, but it’s more like 1-2. It would be a lot easier to write first drafts sequestered in a remote mountain cabin (with bad weather so I didn’t spend all day hiking), but that’s not possible.


Q: When did you start reading science fiction, and what authors and books were you reading then?
A: I read a wide variety of fiction and non-fiction, and have from an early age. This question stumped me so I called my mom and asked. She couldn’t remember either and thought I was mostly interested in history as a child. After further brainstorming, we came up with Asimov, Heinlein, and Clarke. My mom also said I liked Star Trek, and I remember loving monster and kung-fu movies.


Q: Have your opinions of those changed over time? If so, how?
A: I still have a high regard for Asimov and Clarke. I can’t stomach Heinlein’s quasi-fascist diatribes. He also had libertarian leanings, though, which I’m more amenable to, as long as the power of the rich and corporations are held in check.


Q: Do you have any current favorite sci-fi subgenres? If so, what and why?
A: I don’t have a favorite genre of fiction even in the broader sense. I’m mostly interested in reading a story that has something to say, and says it well. It could fall under any genre. I admit to being impatient though; if a book starts to really meander or plod, I’ll lose patience and pick up something else.


Q: Who are some of your current favorite sci-fi writers, and why?
A: Based on her ideas, Ursula K. LeGuin. Based on his cleverness and characters, Kurt Vonnegut. Scope: Isaac Asimov. World building: Frank Herbert. I also like William Gibson and Neal Stephenson a lot. Neuromancer and Diamond Age are unforgettable . I could go on and on. I’d also like to mention Baltimore’s own Sarah Pinsker — her prose flows perfectly.


Q: Sleep State Interrupt has a satisfying conclusion, but it’s open ended. You’re now writing the sequel. How is that coming along?

A: I was making steady progress until halfway through, then had to focus on editing an unrelated book, and now am picking it up again. As of this writing, the characters’ obstacles appear insurmountable and I’m not sure how they’ll get to the ending. It’ll take a lot of brainstorming. Lesson: don’t stop in the middle of writing a first draft!

Q: How do you deal with writer’s block?

A: I only get “writer’s block” when my characters get in a situation that seems impossible to escape. Then I have the characters talk it through until they come up with a solution. Only a small part of the conversation may make it onto the page, but it’s just like real life — some problems require a lot of brainstorming and hypothesis testing.

Q: What are your other current writing projects, and would you briefly describe them?

A: I’m working on five projects at the moment. I’m writing a sequel to Sleep State Interrupt titled The Wrath of Leviathan, in which the protagonists are on the run and fighting a government and media backlash. I’m also writing a farce about local politics titled The Council, but it’s temporarily on hold until I finish Wrath of Leviathan (The challenging part is being more absurd than reality!) I am editing an alternate history novel titled Born in Salt, set fifty years after a fascist coup overthrew President Roosevelt. Ben Adamson, a 19-year-old Illinois farm boy, tries to free the woman he loves from the ruthless Internal Security Service without betraying his friends, and seeks to bring down the government in the process. I am rewriting another alternate history novel titled The Drift Horizon, in which humanity has been shaped since the dawn of agriculture by mysterious entities called the Guardians. These entities have since disappeared, and a catastrophic disaster has pitched the world into a war that may end civilization forever. Finally, I am working on a shared horror novel with three other writers, set in Baltimore in the 1920’s. Think Lovecraft meets Fitzgerald meets H. L. Mencken.

Q: What do you enjoy most about writing?

A: Writing is hard work and involves a lot of drudgery (particularly editing). But it’s rewarding to see characters and worlds come alive. My favorite moments are when a character veers from the outline and does something unexpected, especially if it’s something a lot smarter and more inventive than the outline called for. Unfortunately this doesn’t happen often, but when it does, I throw away the outline and go with it.

Q: What’s your advice for aspiring writers?

A: Make lists of ideas. Write something every day, even if it’s only a paragraph or short poem. Expand your best ideas into story synopses. Take the best synopses and write complete stories. Have fun.


Sleep State Interrupt, by T.C. Weber cover

We’ll be putting up sample chapters for most of our books — including all of our sci-fi titles — over the next month or two in downloadable pdf form.

Here’s the first sample: the first four chapters from our upcoming sci-fi/cyberpunk novel Sleep State Interrupt, by T.C. Weber. The book is at the printer, has a September 1 publication date, and will be available in print and e-book form shortly before then. It’s currently available for pre-order.


What exactly does  “anarchist science fiction” mean? Stories written by anarchists? Stories with anarchist characters? Stories with anarchist settings? Stories that make anarchist political and social points? Stories with an “anarchist sensibility” (whatever that is)? Stories that anarchists will simply enjoy? All of the above? Who knows…..

We coverBecause of this, I’ve taken a somewhat expansive approach and have included a number of non-anarchist political sci-fi novels in this list simply because I think anarchists would enjoy them. They comprise maybe a third of the total. I’ve added brief comments about books I’ve read recently and those that particularly stand out in memory. I’m still adding to the list, which is far from complete – it’s simply a list of books I’ve read and that I recommend. (I’ve included a couple that I don’t particularly like, but included anyway because they are specifically anarchist or part of a series;  in the comments preceding or following the titles, I’ve noted those I do not recommend.)

If you notice that any of your anarchist sci-fi favorites are missing from this list, please leave a comment mentioning them.

Here’s the list — the links go to reviews on this site.

 

Margaret AtwoodWindup Girl cover

  • The Handmaid’s Tale. (1985) More speculative social fiction than science fiction,  The Handmaid’s Tale is Atwood’s horrifying vision of what would happen to America, and especially American women, if fundamentalists seized power. Antiauthoritarian, but not specifically anarchist.

Paolo Bacigalupi

  • The Windup Girl. (2009) Beautifully written. Probably the best cautionary tale about corporate-controlled genetic modification and control of food sources. Antiauthoritarian and anti-corporatist, but not specifically anarchist.

Iain M. Banks

The following are Banks’ “Culture” novels–space opera on a grand scale. While set in the same universe, all work as stand-alone novels. All are set in a galaxy-spanning, far-future anarchist and atheist society, and all feature strong, believable characters (including AIs), complicated ethical dilemmas, and frequent dark humor. Of them, the two best are probably Player of Games and Surface Detail, and the weakest is probably The Hydrogen Sonata.

  • Consider Phlebas (1987)
  • The Player of Games (1988)
  • Use of Weapons (1990)
  • Excession (1996)
  • Inversions (1998)
  • Look to Windward (2000)
  • Matter (2008)
  • Surface Detail (2010)
  • The Hydrogen Sonata (2012)

John Brunner

  • The Sheep Look Up. (1972) Probably the best early science fiction novel about the environmental crisis; antiauthoritarian, but not anarchist.

Several of Brunner’s other sci-fi novels are also enjoyable, particularly Shockwave Rider (1975) and The Crucible of Time (1983)(But don’t pick up one of Brunner’s novels at random and expect a good read — his output was very uneven.)

The Fourth World by Dennis Danvers front coverDennis Danvers

  • The Fourth World. (2000) An intermediate-future novel set in the southern Mexico of the Zapatistas, and a very good book that deserves to have sold much better than it did.
  • The Watch. (2003) A time travel novel set in Richmond, Virginia, featuring Peter Kropotkin as the primary character. An accurate portrayal of Kropotkin and his ideas, but not particularly engaging, in part because Danvers presents Kropotkin (in line with his actual character) as too saintly.

Cory Doctorow

  • Walkaway. (2017)  An intelligent, in places funny, near-future novel about the emergence of a post-scarcity anarchist society in the shadow of the “default reality” corporatist surveillance state.


Greg Egan

  • Distress.  (1995) A hard sci-fi novel with pointed political and social commentary, largely set on an artificial island called “Stateless.” If you’re looking for a detailed description of how an anarchist society might operate, this isn’t it, but Distress is worth reading nonetheless.
  • The Four Thousand, The Eight Hundred (2016). An all too timely cautionary tale about xenophobia, demagoguery, scapegoating, and persecution of minorities. Not explicitly anarchist, but antiauthoritarian.

El Akkad, Omar

  • American War (2017). Not anarchist, and only implicitly antiauthoritarian, American War is almost certainly the best fictional depiction of the psychological and physical devastation caused by America’s interventionist wars, and the hatred and terrorism they engender.

Mick Farren

  • cover of "The Armageddon Crazy" by Mick FarrenTheir Master’s War (1987). Antiauthoritarian but not anarchist. A page-turner concerning militarism, imperialism, and religious manipulation.
  • The Armageddon Crazy (1989). An antiautoritarian, at times very funny, and all-too-timely novel about a fundamentalist takeover of the U.S. government.

(These are Farren’s two best sci-fi novels, and the only two I’d unreservedly recommend.)

Harry Harrison

  • The Stainless Steel Rat Gets Drafted. (1987) On the surface this book seems like escapist sci-fi, but it’s actually a well thought out political novel that perceptively treats mutualist anarchism and nonviolent resistance. Probably the best of the Stainless Steel Rat series.

Robert Heinlein

  • The Moon is a Harsh Mistress. (1966) Deals with an anarcho-capitalist society on the moon at odds with an authoritarian Earth.

James P. HoganCode of the Lifemaker cover

  • Voyage from Yesteryear. (1982) Features a setting directly derived from  Murray Bookchin’s Post-Scarcity Anarchism.
  • Code of the Lifemaker (1983) Hogan’s very funny tale of science versus religious fanaticism is a nearly forgotten gem; not anarchist, but antiauthoritarian.
  • The Immortality Option (1995) The sequel to Code of the Lifemaker; it’s also worth reading, but be sure to read Code of the Lifemaker first.

Ursula LeGuin

  • The Dispossessed. (1974) Considered by many the classic anarchist sci-fi novel, its backdrop, for half of the book, is an anarchist society set on the planet Anarres. That society is well drawn, though dryly and unflatteringly (at least in my opinion; others would disagree).
  • The Left Hand of Darkness. (1969) Leguin’s classic novel on gender relations.


Ken Macleod

The Stone Canal by Ken Macleod front coverThe first four novels are set in the same universe, but are not parts of a series. The next three are a loose trilogy.

  • The Star Fraction (1995)
  • The Stone Canal. (1996) The setting is an anarcho-capitalist society.
  • The Cassini Division. (1998) The setting is an anarcho-communist society.
  • The Sky Road (1999)
  • Cosmonaut Keep (2000)
  • Dark Light (2001)
  • Engine City (2002)
  • The Night Sessions (2008) A cautionary tale of religious fanaticism
  • Intrusion (2012) A frighteningly plausible dystopian novel of an all-pervasive surveillance state. A modern 1984.
  • Corporation Wars: Dissidence (2016)
  • Corporation Wars: Insurgence (2016)
  • Corporation Wars: Emergence (2017)

Paul J. McAuley

Antiauthoritarian but not anarchist, these two  novels comprise McAuley’s “Quiet War” series. They’re set in the medium-distant future following ecological collapse on Earth, and concern the brutal aggression of the authoritarian empires that emerged from the chaos against the in-some-ways anarchistic “Outers” who have colonized the moons of Jupiter and Saturn.

  • The Quiet War (2008)
  • Gardens of the Sun (2009)

There are two later novels set in the same universe, In the Mouth of the Whale (2012) and Evening’s Empires (2013).  These are largely stand-alone novels. In the Mouth of the Whale is best avoided (very slow reading), but Evening’s Empires is a pretty decent apolitical quest/revenge tale.

Many of McAuley’s other science fiction novels are worth reading. Two that come to mind are Pasquale’s Angel and White Devils.

Altered Carbon by Richard K. Morgan front cover

Richard K. Morgan

  • Altered Carbon. (2002) The first of a brutal, noirish trilogy with distinct anarchist undertones. Deals with, in the first pages, religious sadism.
  • Broken Angels. (2003) The second in the series.
  • Woken Furies. (2005) The third book in the series.
  • Market Forces. (2004) An overtly political projection of the future of corporate capitalism.
  • Thirteen. (2007) A very dystopian look at the future theofascist USA.

Annalee Newitz

  • Autonomous. (2017) Deals with the underestimated dangers of the corporate stranglehold on “intellectual property,” the horrors it could lead to, and possible forms of resistance to it.

Nicholas P. Oakley

  • The Watcher. (2014) Explores primitivism, the role of technology in society, and consensus decision making. (Full disclosure: See Sharp Press published this one.)

George Orwell

  • 1984. (1949) Dreary and depressing – as it’s intended to be – but essential. Orwell’s projection of the logical progression of stalinism.
  • Animal Farm. (1945) Orwell’s satirical critique of stalinism.

Marge Piercy

  • Woman on the Edge of Time  (1976)

Mike Resnick

  • A Hunger in the Soul. (1998) Set in a barely disguised Africa, this is probably the best sci-fi treatment of the psychology of colonialism. Not anarchist, but well worth a read.

Cover of Lucky Strike, by Kim Stanley RobinsonKim Stanley Robinson

  • Lucky Strike. (2009) A fine if short parallel-universes novella on the morality of “just following orders.”

Rudy Rucker

The “ware” books comprise a very funny short tetralogy (written before the average sci-fi novel bloated to 700 pages) set in part against the backdrop of a sympathetically portrayed anarchist mechanoid society on the moon. The first two books in particular are gems.

  • Software (1982)
  • Wetware (1988)
  • Freeware (1997)
  • Realware (2000)

John Shirley

  • Bioshock Rapture (2012) This novel is a prequel to the popular Bioshock video game. It’s of interest because it concerns the development of a cloistered Objectivist (Ayn Randist) society. Shirley does a good job of outlining some of the horrors that such a society would produce, but the worst horrors he describes are produced by the cloistering, which undercuts the critique of Objectivism as such.  As well, because he was essentially in a straitjacket when he wrote this, Shirley incorporates fantastical elements from the game that are unnecessary from a fictional standpoint and that detract from the novel’s power. But it’s worth reading anyway.

Norman Spinrad

  • The Iron Dream coverThe Iron Dream (1972). Alternately chilling and darkly funny,  The Iron Dream’s premise is that Hitler emigrated to the U.S. in the 1920s, became a science fiction illustrator, and wrote a single sci-fi novel: The Iron Dream. The bulk of Spinrad’s book is comprised of the “manuscript” of that “novel.” An excellent illustration of the ugliness of the authoritarian psyche.

Many of Spinrad’s other antiauthoritarian sci-fi novels, such as Greenhouse Summer (1999) and He Walked Among Us (2009), both of which concern the ecological crisis, are also worth reading. Getting somewhat away from sci-fi, Mind Game (1980) is Spinrad’s insightful treatment of a barely disguised Church of Scientology, and probably the best novel about cults ever written.

Charles Stross

  • The Rhesus Chart, by Charles Stross, cover imageSingularity Sky (2003) Not anarchist but antiauthoritarian.
  • Iron Sunrise. (2004) The sequel to Singularity Sky.
  • Glass House. (2006) A suspenseful, brutal tale about gender roles and conformity.
  • The Apocalypse Codex (2012). One of Stross’s genre-bending, amusing Laundry Files series, The Apocalypse Codex deals with a televangelist, his literally brain dead followers, and tentacled Lovecraftian horrors. Its treatment of both the absurdity and deadly menace of Christian fundamentalism is spot on.
  • Neptune’s Brood. (2013). A strange, sometimes funny story about the structure of interstellar finances and financial fraud. Part of the book is set in a sympathetically portrayed deep sea anarchist society of genetically modified humans.
  • The Rhesus Chart (2014). Another entertaining Laundry Files novel. The Rhesus Chart deals with the big banks, and has a clear, concise explanation of exactly how they’re screwing us.
  • The Delirium Brief (2017). This latest Laundry Files novel has privatization schemes as its backdrop, and contains an admirably concise explanation of how such schemes rob the public to the benefit of the rich and the corporations they control.

Stross’s work is antiauthoritarian, though anarchism is treated overtly only in Neptune’s Brood. Almost all of his other books, particularly Halting State (2007), Rule 34 (2011), and nearly all of the Laundry Files novels are excellent reads.

A Note on the Laundry Files books: While they can be read as stand-alone novels, they’re a lot more fun to read if you read them in order, starting with The Atrocity Archives (2004).

Arkady and Boris Strugatsky

  • The Doomed City. (2016) A bleak, brutal dissection of the Soviet Union and the ideology that produced its horrors. Written in 1972, the brothers Strugatsky kept this novel under wraps for over 15 years until it was finally published in Russian in 1989 during perestroika; at long last it’s now available in English.

George TurnerDrowning Towers front cover

  • Drowning Towers (UK title: The Sea and Summer). (1987) Drowning Towers was the first major novel about climate change and is still one of the best, if not the best. It’s not anarchist and barely antiauthoritarian, but it is acutely class conscious and a literary masterpiece.

Turner’s science fiction output (he was also a literary novelist) was uneven, but mostly good. In addition to Drowning Towers, he produced one other excellent sci-fi novel, Brain Child (1991), which concerns genetic engineering. His final two novels, Genetic Soldier (1994) and Down There in Darkness are decidedly subpar, with the latter being downright awful. All of Turner’s earlier sci-fi novels (plus one short story collection, A Pursuit of Miracles [1990]) are worth a read.

T.C. Weber

  • Sleep State Interrupt. (2016) A near-future noirish techno-thriller about combatting the surveillance state. (Full disclosure: See Sharp Press published this one.)

Robert Anton Wilson and Robert Shea

  • The Illuminatus Trilogy. (1975) More fantasy than science fiction, this hallucinogenic, sprawling mess of a trilogy veers wildly from the unreadable to the unparalleled, featuring sex, drugs, multiple first-person narrators, shifting chronology, stream-of-consciousness narrative, conspiracies on steroids, self-mockery, zombie Nazis, one of the funniest parodies of Ayn Rand’s capitalist-fantasy/romance novels ever written (“Telemacchus Sneezed,” featuring “John Guilt”), and occasional insightful comments on anarchism.

Yevgeny Zamyatin

  • We  (1924) Written by one of the first Soviet dissidents (within the Communist Party), this dreamy, nightmarish, poetic novel of an all-controlling police state is the direct forerunner of 1984.

 

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Related Posts

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Zeke Teflon, who compiled this list, is the author of Free Radicals: A Novel of Utopia and Dystopia, which takes place in part in an anarchist community. He’s currently working on the sequel in his copious free time.

Free Radicals front cover

 

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