Posts Tagged ‘Walkaway’

84K cover(84K, by Claire North. Orbit. 2018, 452 pp., $15.99)

reviewed by Zeke Teflon


As anyone who’s paying attention knows, the rich often get away with murder. In Claire North’s fine new dystopian novel, 84K, they always get away with it.

Why? Privatization: The takeover of state functions by corporations including, in 84K, the takeover of the legal and prison systems in the UK. As part of the revamping of those institutions, crimes, including murder, are no longer punishable by prison, but rather fines, unless the perpetrator can’t pay. So the rich get away with anything and everything, while the poor (“patties”) are thrown into private prison hell for paltry offenses, where they’re enslaved. (Not incidentally, enslavement of prisoners — the vast majority poor — in the U.S. is very common.)

In this laissez-faire nightmare of a society, human rights are nonexistent and money determines everything, including the value of a human life. Hence the title: 84K refers to the “indemnity” paid by the murderer of one of the book’s heroic characters.

That murder spurs the book’s primary character, “the man called Theo Miller,” into action after a lifetime of going along to get along, never standing up for himself or anything or anyone else. Theo is an “auditor” who assesses the fines, the  “indemnities,” for various crimes, based on the circumstances and the victims’ socio-economic status. Once he’s assigned to the “84K” murder and begins doing a more than perfunctory job, all hell breaks loose, sending him down a convoluted, dangerous path, which eventually leads to resistance to the ghastly social structures under which he lives, or rather exists.

84K has virtues aplenty. North does a fine job of showing the disastrous, degrading effects upon the poor of a privatized government (a fascist government in which political and corporate power are merged), and also the degrading effects upon the rich, who are callous, entitled, brutal, and who treat the poor as things to be bought and sold (literally) rather than as human beings. As well, North adeptly demolishes the standard bullshit talking points used to justify economic privilege and gross inequality, and to dehumanize those at the bottom of the socioeconomic heap.

The writing in 84K is skillful, with North adeptly shifting back and forth between past and present, and doing an unusually good job of portraying the primary character’s emotional and mental states. She does the latter in part through her use of idiosyncratic typography, something of which I’m most decidedly not a fan. But, strangely enough, for the most part it works, so I found it less bothersome than other instances of gimmicky typography I’ve seen over the years.

84K does, though, have problems. Theo is the only fully formed character, with most of the secondary characters being not much more than names attached to superficial physical descriptions. As well, it’s hard to buy some of the ways in which the poor vent their frustration in 84K, such as howling like dogs en masse for hours on end. The gratuitous, pointless violence North portrays as pervasive among the poor is also a bit of a stretch. And the resistance movement she sketchily describes is depressingly pedestrian, a standard authoritarian structure with, of all things, a “queen.”

If North had done a better job describing the forms a resistance movement could take, and the practices it could employ — see Cory Doctorow’s Walkaway for examples — 84K would have been a more useful book.

Still, there’s great value in pointing to the dangers of the screw-the-poor laissez-faire path down which both the USA and UK are plunging. So . . . . .

Highly recommended.

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Zeke Teflon is the author of Free Radicals: A Novel of Utopia and Dystopia (pdf sample here). He’s currently working on the sequel, a Spanish-English translation, a nonfiction book, two compilations, and an unrelated sci-fi novel in his copious free time.

Free Radicals, by Zeke Teflon front cover


(Walkaway, by Cory Doctorow. Macmillan, 2017, 379 pp., $26.99)

reviewed by Zeke Teflon

In Walkaway, Cory Doctorow takes on one of the most vexing matters of our time: Automation (more broadly, technological advances) is, at an accelerating rate, making human labor ever less necessary.

But what will it lead to?

A post-scarcity, egalitarian, “to each according to their wants” economy of abundance in which working is a matter of choice? Or to a version of the present artificial-scarcity economy in which there are an army of the poor and oppressed, and a few super-rich individuals who will resort to anything to retain their positions of power and privilege?

In Walkaway, the answer is both. In Doctorow’s medium-near future, there’s both a drastically more repressive version of current society — to alter the famous quotation from Lincoln Steffens, “I have seen the future, and it’s worse” — and a (small “l”) libertarian and egalitarian alternative built by those who “walk away” from the dominant “default” society, a “post-scarcity” alternative made possible by sweeping technological/productivity advances.

Therein lies the main virtue of Walkaway: Doctorow’s convincing, detailed, and attractive portrayal of that post-scarcity society and its workings.

To get a bit politically wonkish, what Doctorow describes, though he never uses the term, is an anarcho-communist society (in contrast to the other flavors of anarchism: individualist, mutualist, and syndicalist).

Other virtues include Doctorow’s insightful treatment of technological advances, notably in the liberatory and repressive possibilities they entail, and in the book’s humor, which mostly appears in its first 150 pages.

One of the main points Doctorow makes in support of a post-scarcity, egalitarian societal set-up is that meritocracy, in both authoritarian capitalist society and in libertarian alternatives, is a very bad idea, as the following dialogue between two of Doctorow’s characters, Gretyl and Iceweasel, illustrates:

“Your people are all fighting self-serving bullshit, the root of all evil. There’s no bullshit more self-serving than the idea that you’re a precious snowflake, irreplaceable and deserving . . .”

“I’ve heard all this. My dad used it to explain paying his workers as little as he could get away with, while taking as much pay as he could get away with. . . .”

“You’re assuming that because [the rich] talk about meritocracy, and because they’re full of shit, merit must be full of shit. It’s like astrology and astronomy: astrology talks about orbital mechanics and so does astronomy. But astronomers talk about orbital mechanics because they’ve systematically observed the sky, built falsifiable hypotheses from observations, and proceeded from there. Astrologers talk about orbital mechanics because it sounds sciencey and helps them kid the suckers.”

“You’re calling my dad an astrologer then?”

“That would be an insult to astrologers.”

Two other notable aspects of Walkaway are the full-spectrum sexual diversity of the characters, and that Doctorow includes two explicit, well written sex scenes. (This is in stark contrast to the usual, annoying avoidance of such scenes in the vast majority of science fiction novels, where disgustingly graphic depiction of violence is perfectly acceptable, but — horrors! — not graphic depiction of sex; the only other sci-fi authors I can think of who include explicit, fitting sex scenes in their work are Richard K. Morgan and Walter Mosley.)

As for the plot, it would give away too much to say more than that it revolves around the brutal repression of the walkaways, and their use of nonviolent resistance in response, after they develop a technology that the ultra-rich of “default” society find threatening.

The description of this conflict takes up more than two-thirds of the book, which is likely too much of it. In too many places, the latter portions of Walkaway drag. After reading the first 225 or so pages, I found myself wondering when it would ever end; I kept reading only because I wanted to see how Doctorow would resolve the conflict between the walkaways and “default.”

Anther problem with the book is that it seems disjointed at times. This is in part due to Doctorow’s using five p.o.v. characters. This isn’t necessarily a problem (see George Turner’s effective use of multiple [five] p.o.v.s in Drowning Towers), but it is here. Doctorow switches from one to another purely to advance the story, with the amount of time devoted to the different p.o.v.s varying considerably; and, as Walkaway progresses, it all but abandons the p.o.v. of what I originally thought was the primary p.o.v. character.

It doesn’t help that there’s little if any overlap — no differing views of the same things, a la Rashomon — in the events described from the different p.o.v.s, which aggravates the disjointedness problem.

Still, Walkaway‘s virtues — especially it’s detailed, attractive portrayal of a libertarian post-scarcity society — outweigh its faults.

Walkaway is quite probably the best fictional description of a post-scarcity society ever written.


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Zeke Teflon is the author of Free Radicals: A Novel of Utopia and Dystopia (pdf sample here). He’s currently working on the sequel, and on an unrelated sci-fi novel, in his copious free time.

Free Radicals, by Zeke Teflon front cover

“[T]here aren’t any ‘jobs’ left. Just financial engineering and politics. I’m not qualified for either. For one thing, I can’t say ‘meritocracy’ with a straight face. . . . It’s the height of self-serving circular bullshit, isn’t it? We’re the best people we know, we’re on top, therefore we have a meritocracy. How do we know we’re the best? Because we’re on top. QED? The most amazing thing about ‘meritocracy’ is that so many brilliant captains of industry haven’t noticed that it’s made of such radioactive bullshit that you could spot it in orbit.”

–“Hubert, etc.” in Cory Doctorow’s Walkaway

(review coming soon)