Archive for the ‘Anarchist science fiction’ Category



A few years ago we put up lists of what we consider the best anarchist and atheist science fiction novels, along with brief comments about the books, and cover images from many of them.

Since then, we’ve been adding new titles, new comments, and new cover images, especially over the last year or so. At present, the anarchist sci-fi list is roughly three times as long as it was when we put it up in 2013, and the atheist sci-fi list is about twice as long as it was.

If you have interest in these areas and you haven’t looked at the lists for a while, or if you’ve never seen them, please check them out. We think you’ll be pleasantly surprised.


(Walkaway, by Cory Doctorow. Macmillan, 2017, 379 pp., $26.99)

reviewed by Zeke Teflon

In Walkaway, Cory Doctorow takes on one of the most vexing matters of our time: Automation (more broadly, technological advances) is, at an accelerating rate, making human labor ever less necessary.

But what will it lead to?

A post-scarcity, egalitarian, “to each according to their wants” economy of abundance in which working is a matter of choice? Or to a version of the present artificial-scarcity economy in which there are an army of the poor and oppressed, and a few super-rich individuals who will resort to anything to retain their positions of power and privilege?

In Walkaway, the answer is both. In Doctorow’s medium-near future, there’s both a drastically more repressive version of current society — to alter the famous quotation from Lincoln Steffens, “I have seen the future, and it’s worse” — and a (small “l”) libertarian and egalitarian alternative built by those who “walk away” from the dominant “default” society, a “post-scarcity” alternative made possible by sweeping technological/productivity advances.

Therein lies the main virtue of Walkaway: Doctorow’s convincing, detailed, and attractive portrayal of that post-scarcity society and its workings.

To get a bit politically wonkish, what Doctorow describes, though he never uses the term, is an anarcho-communist society (in contrast to the other flavors of anarchism: individualist, mutualist, and syndicalist).

Other virtues include Doctorow’s insightful treatment of technological advances, notably in the liberatory and repressive possibilities they entail, and in the book’s humor, which mostly appears in its first 150 pages.

One of the main points Doctorow makes in support of a post-scarcity, egalitarian societal set-up is that meritocracy, in both authoritarian capitalist society and in libertarian alternatives, is a very bad idea, as the following dialogue between two of Doctorow’s characters, Gretyl and Iceweasel, illustrates:

“Your people are all fighting self-serving bullshit, the root of all evil. There’s no bullshit more self-serving than the idea that you’re a precious snowflake, irreplaceable and deserving . . .”

“I’ve heard all this. My dad used it to explain paying his workers as little as he could get away with, while taking as much pay as he could get away with. . . .”

“You’re assuming that because [the rich] talk about meritocracy, and because they’re full of shit, merit must be full of shit. It’s like astrology and astronomy: astrology talks about orbital mechanics and so does astronomy. But astronomers talk about orbital mechanics because they’ve systematically observed the sky, built falsifiable hypotheses from observations, and proceeded from there. Astrologers talk about orbital mechanics because it sounds sciencey and helps them kid the suckers.”

“You’re calling my dad an astrologer then?”

“That would be an insult to astrologers.”

Two other notable aspects of Walkaway are the full-spectrum sexual diversity of the characters, and that Doctorow includes two explicit, well written sex scenes. (This is in stark contrast to the usual, annoying avoidance of such scenes in the vast majority of science fiction novels, where disgustingly graphic depiction of violence is perfectly acceptable, but — horrors! — not graphic depiction of sex; the only other sci-fi authors I can think of who include explicit, fitting sex scenes in their work are Richard K. Morgan and Walter Mosley.)

As for the plot, it would give away too much to say more than that it revolves around the brutal repression of the walkaways, and their use of nonviolent resistance in response, after they develop a technology that the ultra-rich of “default” society find threatening.

The description of this conflict takes up more than two-thirds of the book, which is likely too much of it. In too many places, the latter portions of Walkaway drag. After reading the first 225 or so pages, I found myself wondering when it would ever end; I kept reading only because I wanted to see how Doctorow would resolve the conflict between the walkaways and “default.”

Anther problem with the book is that it seems disjointed at times. This is in part due to Doctorow’s using five p.o.v. characters. This isn’t necessarily a problem (see George Turner’s effective use of multiple [five] p.o.v.s in Drowning Towers), but it is here. Doctorow switches from one to another purely to advance the story, with the amount of time devoted to the different p.o.v.s varying considerably; and, as Walkaway progresses, it all but abandons the p.o.v. of what I originally thought was the primary p.o.v. character.

It doesn’t help that there’s little if any overlap — no differing views of the same things, a la Rashomon — in the events described from the different p.o.v.s, which aggravates the disjointedness problem.

Still, Walkaway‘s virtues — especially it’s detailed, attractive portrayal of a libertarian post-scarcity society — outweigh its faults.

Walkaway is quite probably the best fictional description of a post-scarcity society ever written.

Recommended.

* * *

Zeke Teflon is the author of Free Radicals: A Novel of Utopia and Dystopia (pdf sample here). He’s currently working on the sequel, and on an unrelated sci-fi novel, in his copious free time.

Free Radicals, by Zeke Teflon front cover


2016 was a good year for us  (if not for U.S. democracy, the rest of the world, and the environment).

In our first half-year, in 2013, this blog received 2,500 hits; in our first full year, 2014, it received 8,000; in 2015, 9,800; and in 2016 the number jumped to 14,900.

We also hit 400 subscribers in December; had our best month ever in that same month, with over 2,100 hits; and had our best week ever, last week, with just under 1,000 hits.

Our 10 most popular posts in 2016 were:

  1. Anarchist Science Fiction: Essential Novels
  2. Alcoholics Anonymous Does More Harm than Good
  3. A very brief History of Calypso and Soca Music
  4. Back to the Terrifying Future: Sci-Fi E-book Giveaway
  5. A very brief History of Country Music
  6. God’s Thug: Brigham Young
  7. A very brief History of Funk Music
  8. Alt-Country Player Al Perry
  9. Review: The Martian, by Andy Weir
  10. Homecoming for Mormon Missionaries

During the coming year we’ll continue to post daily (well, we’ll try) on music, politics, science fiction, religion, atheism, cults, science, skepticism, humor, and anything else we think is interesting and that our readers might enjoy.

Over the coming month, we’ll post an excerpt from our upcoming title, Venezuelan Anarchism: The History of a Movement, by Rodolof Montes de Oca, reviews of two new sci-fi novels, Ken Macleod’s Insurgence and Robert Charles Wilson’s Last Year, more on the “Russian hacking” affair, more interesting and marginally useful Internet crap, and a good old fashioned Religion Roundup.

Be on the lookout for another e-book giveaway sometime reasonably soon.

 


Sharp and Pointed has been around for just over three years, and we’ve put up just over 1,000 posts —  this  is number 1,001 — in 37 categories. Coincidentally, we reached 30,000 hits yesterday.

Science fiction is probably our most popular category, and we’ve put up nearly 100 sci-fi posts. Here, in no particular order, are those we consider the best.

This is the first of our first-1,000 “best of” posts. We’ll shortly be putting up other “best ofs” in several other categories, including Addictions, Anarchism, Atheism, Economics, Humor, Interviews, Music, Politics, Religion, Science, and Skepticism.


(It’s shocking, we know, but we made typos when we put up this list a couple of weeks ago, and as a result  “404ed” our readers when they clicked on the links. Our apologies if you were one of them. All of the links work correctly now, so . . . back to the original post.)

We’re in the process of extracting and posting pdf excerpts from our approximately 35 in-print books. All of the samples are good sized, ranging from one to six chapters. For ease of access, we’ve divided the books into categories; there is some overlap, as some of the books fall into more than one category. Here’s what we’ve posted so far:

HumorBible Tales for Ages 18 and Up, by G. Richard Bozarth, front cover

Music

Politics

Psychology

Religion / Atheism

Science Fiction

Skepticism

For more free samples and complete books and pamphlets in html format, check out the See Sharp Press Texts on Line page.


MOST SCIENCE FICTION IS IRRELIGIOUS — in most sci-fi stories, religion is simply not there. Some sci-fi novels, however, are implicitly or explicitly atheist: some have atheist characters, some revolve around the conflicts of atheists with religious believers and religious institutions, and — to make the definition even looser — some that I’d classify as atheist (more accurately, atheist related) simply critique religion and religious institutions.

The following books do not comprise anything approaching a complete list, even using that loose definition of atheist science fiction. They’re merely the best atheist and atheist-related sci-fi novels that I’ve come across.

I’m sure there are many other good atheist science fiction novels, and I’ll add them to the list as I discover them. If you have any favorites not listed here, please leave a comment about them. (All links in the listings below go to book reviews on this site.)

cover photo and quotation from Mick Farren'ts "Protectorate"

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Margaret Atwood

  • The Handmaid’s Tale. (1985) More speculative social fiction than science fiction, The Handmaid’s Tale is Atwood’s horrifying vision of what would happen to America, and especially American women, if fundamentalists seized power. Anti-fundamentalist and antiauthoritarian, but not specifically atheist.

Atwood’s Maddaddam Trilogy is also well worth a read.

  • Oryx and Crake (2003) bears not at all on religion, but rather on rapacious corporate capitalism and the evil uses to which it could put technological developments in the pursuit of profit.
  • The Year of the Flood (2009) is set inside a believable, intricately described religious/ecological cult, and continues describing the socio-politico-economic problems carried over from Oryx and Crake.
  • Maddaddam (2013) has still more on the matters dealt with in the first two books, but also looks at the extreme measures necessary to avoiding detection in an all-pervasive surveillance state. It also features biting and insightful passages regarding the sleaziness and hypocrisy of fundamentalist religion. All three books in the trilogy are masterfully written and quite entertaining.

Iain M. Banks

The following are Banks’ “Culture” novels–space opera on a grand scale. While set in the same universe, all work as stand-alone novels. All are set in a galaxy-spanning, far-future atheist and anarchist society, where religion pops up only when there’s an “outbreak” of it somewhere. All of the Culture novels feature strong, believable characters (including AIs), complicated ethical dilemmas, and frequent dark humor. Of them, the two best are probably Player of Games and Surface Detail, and the weakest is probably The Hydrogen Sonata. The one that has the most to do with religion, revolving around the sheer viciousness of many religious believers, is Surface Detail; religious fanaticism and the ills it produces also features prominently in Consider Phlebas.

  • Consider Phlebas (1987)
  • The Player of Games (1988)
  • Use of Weapons (1990)
  • Excession (1996)
  • Inversions (1998)
  • Look to Windward (2000)
  • Matter (2008)
  • Surface Detail (2010)
  • The Hydrogen Sonata (2012)Bible Tales for Ages 18 and Up, by G. Richard Bozarth

G. Richard Bozarth

  • Bible Tales for Ages 18 and Up (2014). A very funny, very revealing retelling of well known stories from one of the original, though unevenly written and poorly plotted, fantasy novels. (Full disclosure: See Sharp Press published this one.)

John Brunner

  • The Crucible of Time (1983). An inspiring novel about the rise of science and its eventual triumph over religion in an alien society.

Mick Farren

  • cover of "The Armageddon Crazy" by Mick FarrenProtectorate (1985). Deals with cults in the context of authoritarian government. Not one of Farren’s better novels, but worth reading if you can find a copy for a buck or two.
  • Their Master’s War (1987). An entertaining page-turner concerning militarism, imperialism, and religious manipulation.
  • The Armageddon Crazy (1989). An all too timely and at times quite funny novel about a fundamentalist takeover of the U.S. government. Probably Farren’s best sci-fi novel.

Tom Flynn

  • Galactic Rapture (2000). Deals almost entirely with the harmful effects of religious belief, irrationality, and gullibility. The high points are the detailed descriptions of “psychic” scams.

James P. Hogan

  • Code of the Lifemaker coverCode of the Lifemaker (1983). Very entertaining, very funny. A sharp look at a questioning attitude and rationality vs. credulousness and irrationality, with some sections exposing how “psychics” gull their victims. Probably the best sci-fi novel ever written about the conflict between science and religion, and definitely the funniest.
  • The Immortality Option (1995). The sequel to Code of the Lifemaker. Well worth reading, but only after reading Code of the Lifemaker. It’s almost as funny as its predecessor.

Victor Koman

  • The Jehovah Contract (1987). A noir-comic — to use the current term, “urban fantasy” — novel about the conflict between good and evil, where good is personified as a hit man who has a contract to take out evil, personified as The Almighty.

Ken Macleod

  • The Night Sessions (2008). A perceptive near-future look at the menace of religious fundamentalism.
  • Intrusion (2012). A frighteningly plausible dystopian novel of an all-pervasive surveillance state. A modern 1984. The protagonists are both atheists, and the novel in part revolves around their conflicts with religious “nutters” and religious privilege.

James MorrowBlameless in Abaddon by James Morrow

  • Blameless in Abaddon (1996). This is more fantasy than science fiction, but it’s worth including nonetheless. The second book in Morrow´s Godhead trilogy, Blameless in Abaddon revolves around the unstinting efforts of a terminally ill cancer patient to put God on trial at the Hague for crimes against humanity. It’s very dark, but very funny.

I’ve read the other two books in the trilogy, Towing Jehovah (1994) and The Eternal Footman (1999) and would not recommend them; fortunately, Blameless in Abaddon works as a stand-alone novel.

Morrow has written a number of other atheistic novels and story collections, such as Only Begotten Daughter (1990) and Bible Stories for Adults (1996); I wouldn’t recommend them for the same reason I wouldn’t recommend Towing Jehovah or Eternal Footman: they’re satires, but I didn’t find them funny. The one other book of Morrow’s I would recommend is the philosophically oriented City of Truth (1990), the first portion of which is downright hilarious.

Douglas Preston

  • Blasphemy (2007). A cross between a near-future high-tech thriller and a Tony Hillerman mystery, Blasphemy features two strong, very well described fundamentalist-preacher characters, one a sleazy, wealthy televangelist (drawing on Jerry Falwell, Jimmy Swaggart, and Robert Schuler), the other a dirt poor, ignorant, vicious fanatic. If you like both thrillers and the Hillerman novels (set on the Navajo Reservation), you’ll probably love this one.

Kim Stanley Robinson

  • Galileo’s Dream (2009). A well executed time-travel novel involving Galileo and his conflict with the Catholic Church and the Inquisition.

Norman Spinrad

  • Mind Game (1980). Science fiction related but not science fiction, this is sci-fi author Spinrad’s insightful treatment of a barely disguised Church of Scientology, and one of the best novels about cults ever written

Charles StrossThe Apocalypse Codex front cover

  • The Apocalypse Codex (2012). An oftentimes funny, genre-bending (sci-fi/fantasy/horror) novel about a prominent televangelist, Christian fundamentalism, slithering necromantic horrors, and “applied computational demonology.” Although part of the Laundry Files series, this works as a stand-alone novel, though you’ll enjoy it more if you first read the previous highly entertaining books in the series; the first is The Atrocity Archives (2004).
  • The Delirium Brief (2017). The primary characters from The Apocalypse Codex, and the related fundamentalist and necromantic monstrosities, reappear in this latest Laundry Files novel. There were two intervening novels in the series between these two, and it’d be a good idea to read The Apocalypse Codex before tackling The Delirium Brief; it’d be a better idea to read all of the prior Laundry Files books, as there are many references to events in the previous novels.

Gore Vidal

  • Kalki (1978). A terrifying look at religious fanaticism and the use of biological WMDs.
  • Live from Golgotha (1993). A  short comic time-travel novel about live TV coverage of the crucifixion of J.C.

Robert Anton Wilson

  • Schroedinger’s Cat Trilogy (1979). Definitely not for the easily offended — if this appeared today, the author would be drawn and quartered by PC zealots — but quite funny with many biting comments about religion.

Robert Charles Wilson

  • Re-Birth, by John Wyndham front coverMysterium (1994). A perceptive, well written novel about an alternate-reality American religious police state, and the casual arrogance, self-righteousness, callousness, intrusiveness, and brutality of those who run such religious states. Also deals with the evil of blindly following orders rather than following your own conscience.

John Wyndham

  • Re-Birth (1955). A nicely written early post-apocalyptic tale of religious ignorance, arrogance, and brutality, and escape from it.

 

 

* * *

Zeke Teflon, compiler of this list, is the author of Free Radicals: A Novel of Utopia and Dystopia, which deals in large part with religious and political cults.

Free Radicals front cover


“Those at the top of the authoritarian pyramid . . . must attempt to do . . . the decision-making for the whole society. But a man with a gun is told only that which people assume will not provoke him to pull the trigger. Since all authority and government are based on force, the master class . . . faces the servile class . . . precisely as a highwayman faces his victim. [Honest] communication is possible only between equals.”

–“Hagbard Celine” in Robert Anton Wilson’s and Robert Shea’s The Golden Apple, Book II of the Illuminatus Trilogy


by Zeke Teflon

One of the current standard complaints in science fiction circles is that there’s too much dystopian sci-fi (and way too much hack-work, trivial sci-fi, though the complainers rarely mention this), and too  little “positive” sci-fi. There’s some truth in such complaints, given that authors’ environments inevitably influence what they write, and there’s little reason for optimism in current environments. If you project present-day social, political, economic, and technological conditions and trends into the future, you’ll very probably end up with a dystopian backdrop. As a result, it’s easier to write a believable dystopian novel than it is to write a believable utopian novel.

Wasp FactoryBut such novels exist. Perhaps the best examples are Iain M. Banks’ “Culture” novels. Given the author’s previous works, these novels came as a bit of a surprise. Prior to beginning the Culture series, Banks was a “literary” novelist, best known for his first book, The Wasp Factory (1984). While it’s very well written, it’s also horrifying and depressing. It’s one of the very few well written books I’ve encountered that I wouldn’t recommend and that I regret reading. (Friends have told me that their reactions to the book were similar.)

So, the Culture series came as a surprise. All nine of the novels in it are set in “the Culture,” a far-future, galaxy-spanning, post-scarcity anarchist/atheist society where there’s economic abundance for all, where individuals have complete freedom as long as they respect the freedom of others, and where the necessary economic and technological underpinnings of society (manufacturing, transportation, communications, etc.) are managed by vast artificial intelligences (“Minds”–the word is capitalized). In Banks’ Culture universe, the “singularity” (the point at which artificial intelligence outstrips human intelligence) happened in the distant past, and it was a good thing.

This in itself isn’t enough to supply the backdrop for good drama. That’s supplied by various primitive societies still afflicted by government, religion, and capitalism, and the miseries they produce. To deal with these societies, the Culture has its Contact section, and to deal with the thorniest situations, its Special Circumstances (SC) section–essentially an anarchist CIA. The protagonists of most of the Culture books are SC agents.

The first novel in the series, Consider Phlebas, sets the stage for the books to come. But it’s also one of the weakest books in the series, and one can easily skip it and not miss any essential background information. At the same time, to set a low bar, it’s quite a bit better than most sci-fi novels.Consider Phlebas

Consider Phlebas begins with a prologue, a lengthy bravura passage describing space combat and setting the stage for the fallout from it–the search for a Mind that escaped the combat and sought refuge on a “planet of the dead,” with the Culture attempting to retrieve the Mind, and its enemies, the brutal, religious-fanatic Idirans and their clients, attempting to capture it. The strength of Consider Phlebas is that Banks’ protagonist, Bora Horza, is on the wrong side of the conflict: he’s one of the Idirans’ clients. It’s a tribute to Banks’ writing skills that he makes Horza a by-and-large sympathetic character, spectacularly wrong and occasionally callous, but sympathetic nonetheless. Banks does this in part by putting Horza through pure hell, among other things having him nearly drown in a cell filling with sewage, and being brutally tortured and nearly eaten alive by a religious cult.

Another strength of the book is that Banks looks at the question of what is sentient life? Does it matter if consciousness (not that anyone has adequately defined it) runs on meat hardware or solid-state hardware? Rather than directly answer this question, Banks implicitly answers it by featuring android characters with distinct personalities and distinct quirks.

The weaknesses of the book include two lengthy, unnecessary stage-setting (Culture background) passages featuring a superfluous character who disappears halfway through the story. Another weakness of Consider Phlebas is that the final third of the book takes place in a massive, Cold War-on-steroids-style bunker/tunnel system on the planet of the dead. Banks provides some memorable combat scenes in this section of the book, but the overall effect is claustrophobic.

Consider Phlebas is a good book, but not especially auspicious as a series-kickoff novel.

Player of GamesBut then came something wonderful: The Player of Games (1988). It’s a complex tale whose protagonist is Jernau Gurgeh, an exceptionally talented player of games of all types. At the beginning of the tale, Gurgeh is not especially likable: he’s shallow, self-obsessed, with no real interests outside of games. The Contact section soon sets him up and then emotionally blackmails him into going on a very peculiar mission. It involves years of travel to a  particularly barbaric, distant civilization, the Azad empire, to take part as a guest player in a gaming tournament, playing the game Azad (Banks might have gotten the name from the Spanish word azar, “chance”) that determines that empire’s next emperor. The reason for this seemingly pointless errand is the central question in the novel. Gurgeh is accompanied on this apparent snipe hunt by the novel’s most attractive  character, the sarcastic, often funny  ‘droid Flere-Imsaho. (At one point, Gurgeh is maundering about “fate,” and Flere-Imsaho responds, “What’s next? God? Ghosts?”)

Once at their destination, Gurgeh immerses himself in the tournament, but is almost simultaneously introduced to the terrible nature of the Azad empire (poverty, homelessness, gross economic inequality, political repression, wars of conquest, systematic rape, torture, and murder). This exposure pushes Gurgeh to move beyond his immersion in the trivial and to explore his basic values; the farther he advances in the Azad tournament, the more he learns of the horrors of the Azad society, and the more emotionally disturbed he becomes. Throughout, the tension builds until the book reaches a very satisfying conclusion.

If there are any weak points in Player of Games, they’re not apparent. The plot is complex; the characters believable; the background exotic;  the dialogue crisp; the descriptions vivid; Banks makes his social and political points without being didactic; and there’s quite a bit of humor. (The whimsical names of Culture starships provide one example: names used in the series include Nervous Energy, Just Read the InstructionsSize Isn’t Everything, and God Told Me To Do It.) There’s even a wonderful, unexpected kicker in the book’s final pages.

If you’re going to read only one of Banks’ Culture novels, Player of Games would be a good choice.

Tragically, Iain M. Banks died last year of pancreatic cancer at age 60.  But he left us with a legacy of fine science fiction books; his nine Culture novels comprise very probably the best “positive” sci-fi series ever written.

* * *

Zeke Teflon is the author of Free Radicals: A Novel of Utopia and Dystopia (pdf sample here). He’s currently working on the sequel and on an unrelated sci-fi novel.

Free Radicals front cover


 

Free Radicals front cover

Here are a few comments from reviews of Free Radicals:

“Solidly entertaining . . . reminiscent of early Mick Farren.” —Publishers Weekly Online

“[T]he plot holds the reader’s interest and should appeal to a fairly broad audience.” —Booklist Online

“Among the best future-shock reads in years . . . If we lived in the ’60s and ’70s when audience-rattling paperbacks like Naked Lunch were cheap, plentiful and available on pharmacy spinner-racks, critics would hail Free Radicals as a masterpiece.” —Tucson Weekly

 

Chapter 1

I woke up this mornin’ and I got myself a . . .
Well, you can see where this is going . . .

Kel Turner was snoring, one arm dangling down from the couch toward the remnants of last night’s dinner—nine mostly empty cans of Schlitz Classic Ice and a greasy pizza box, empty but for a cardboard-like wedge missing several bites and resting against one edge of the box. A few roaches were feasting on the half-eaten piece and the hunks of cheese stuck to the bottom of the box.

Kel stirred. He opened one eye. He screamed.

There, on the end of his nose, staring at him, antennas wriggling, sat a large, brown sewer roach. Kel levitated a meter into the air and batted the roach away. He ran to the bathroom and scrubbed his face viciously. Three times.

He filled his his hands with water and emptied them over the top of his head. While smoothing back his hair, he smarted as his hand hit a large knot on the back of his scalp. Where had that come from? He carefully put his fingertips on the knot and winced, feeling what seemed like an inch-long cut. He pulled his hand back in front of his face and looked at his fingers. Flecks of blood. He washed and dried his hands, pulled his hair away from the wound again, put his fingertips on the cut, and put them back before his face. This time there was no blood. But it still hurt.

As he walked out of the bathroom, he bumped his knee on the handle of the vanity door; he gasped and reached down. His knee, no, both of his knees, were rubbed raw. What in hell had he done last night? He turned back to the sink, splashed more water on his face and hair, and muttered, “Jesus Festering Christ.”

There were black bags under his eyes, three days’ worth of stubble, long, grey, greasy strands of hair hanging in front of his face, crow’s feet spreading around his eyes like the cracks in drying mud, and a jello-like pot gut he could hold in both hands and jiggle up and down like a lard-filled beach ball. Once you were off Comp-Med, this shit happened fast. Kel was only a hundred and eighty centimeters tall, but he easily weighed a hundred kilos, and all too much of it wasn’t muscle.

He grunted in disgust, walked back into the room he called home, and started to pick up empty beer cans. To his surprise, the first one, a can of Schlitz Classic, was almost full; and it would be a shame to waste it. He took a sip. Warm, but not totally flat. It would do.
What the hell time was it? He took a hit of warm beer and blinked a gummy eyelid twice, but his readout didn’t come up. Of course not. When would he stop doing that?

His implants had been wiped in the EMP bursts during The Troubles. Then, it had been nukes exploding above the atmosphere, taking out anything with an unshielded chip for hundreds of miles in all directions. Now, any asshole who could build a half-meter parabolic dish, who knew the meaning of “high energy radio frequency,” and who could tell one end of a soldering iron from the other, could construct a HERF gun, point it in any direction, and fry all of the electronics in its beam that weren’t heavily shielded. So no. No inner-ocular displays.

Kel remembered what it had been like after the first EMP bursts: the feeling of loneliness, of being cut off from the rest of humanity. It had taken him weeks to adjust, and some people never had, like the dust addicts infesting the slumped nano buildings just down the street, shuddering, coughing, staring into space at nonexistent displays. The neuro-stim addicts were even worse, not that there were many still around. The EMP bursts had fried the tissue around their pleasure-center ‘trodes, and most who hadn’t been reduced to drooling cretins had committed suicide within weeks: no way to feel pleasure, no reason to live. Even a lot of people with ordinary inductive implants and no brain damage had gone bat-shit crazy; some said the abrupt connectivity cut felt like being struck blind. Today, two decades later, all it meant to Kel was that he’d have to learn the time from his wall screen. But that could wait.

He went to the apartment’s window, pulled up the blinds, wiped some of the grime from the top pane with the side of his hand, smeared it on the back of his pants, and peered out. The window, so old it wasn’t even photosensitive, mercifully faced north, so he was spared the agony of direct sunlight.

At first glance, things looked normal. The huge, 3-D ads floating before the apartments on the opposite side of the street were flashing their usual come-ons, the two most eye-catching ones directly facing Kel’s apartment. In the first, a heavily muscled, flak-jacketed Uncle Sam, hefting an M-99 over one shoulder, swept a pair of night-vision glasses from side to side. Its message was simple: “Report suspicious activities. Only those with something to hide need be afraid.” The ad had repeated this message endlessly for the past four months.

The second ad showed a gleaming starship blasting off and disappearing into a luminous spiral galaxy: “Your future is in the stars. Live the life you deserve!” The flashy emigration board was in stark contrast to its surroundings: dilapidated 20th‑ and early 21st-century buildings—no arching or branching nano-composite structures here, just concrete, steel, glass, and brick rectangular monstrosities interspersed with debris-strewn vacant lots and, still, the slumped remains of some of the early nano buildings that had been sprayed during The Troubles.

Depending on how much of a dose they got, they’d either oozed into gelatinous puddles or slumped into flattened-skull shapes, their windows gaping like deformed eye sockets. The stench from their entombed—or, worse, partially embedded—occupants had been intolerable for weeks after the rioting ended, and even now the only ones who would go into them were dust or spike heads.

Kel stared at the nearest skull-like ruin as a shivering human skeleton crawled out of an “eye” just above ground level and shuffled down the dirty, potholed street. Kel’s gaze followed him as he shambled past shabbily dressed men and women haggling with street vendors amidst the carcasses of graffiti-covered vehicles stranded like beached marine mammals on the street and shattered sidewalk.
As the dust head turned the corner, Kel chuckled when he glanced at the remnants of an airvan buried nose first in the broken glass-strewn corner lot. For perhaps the hundredth time, Kel mused that the driver must have been mighty surprised when his controls and engine went dead. A lot of people in those flying coffins, and on the ground, had died during the EMP bursts. Today, no one in his right mind would even think about getting into one.

Kel shifted his gaze to the right and saw two cops confronting Emmy, a middle-aged, black homeless woman, and an occasional recipient of Kel’s pocket change. One cop pushed her to the ground and began beating her with his club as she pulled her filthy plastic coat over her head. Kel was glad the window was closed so that he couldn’t hear her screams. The other cop pulled out his club and joined in. Kel shuddered as the second cop’s truncheon smashed the hand that covered her face. When the bones in her hand snapped, she reflexively pulled it down, clutching it with her other hand, and the cop connected with her jaw. Her teeth went flying in a spray of red.

The cops stopped. The one who had smashed her face hitched his truncheon back on his belt and stood towering, triumphant over Emmy’s cowering form. Kel saw his mouth start to work and, even though he couldn’t hear him, he was pretty sure, even at a distance of fifty meters, that he could make out the final word, “bitch.” . . . Fucking cops! And not a goddamned thing he could do about it.

The cop who had bashed Emmy’s face reached into his back pocket, looked up at the nearest power pole’s dead surveillance camera, its lens smashed, took something small out of his pocket, and stuffed it into Emmy’s coat. Then he activated his helmet recorder and gestured for his partner to search her. The other cop began roughly pawing the huddled figure, and shortly held up something that Kel couldn’t make out. But he was pretty sure that he knew what it was.

Emmy must have really pissed them off, because this was not the normal drill. Usually, after kicking the shit out of her, they’d drag her ass downtown, book her, and the following day she’d be hauled in front of a judge on a charge of assaulting an officer or resisting arrest. Six months and out. This time, they’d planted a bag of dust or spike on her and would charge her with possession and assaulting an officer.

If they really wanted to fuck with her, they’d bypass the dope charge and accuse her of terrorism. But that would be overkill with Emmy, and they usually reserved that charge for politicals. Whatever the charge, conviction was a foregone conclusion.

Kel exhaled noisily and looked away from Emmy. Thirty meters farther down the sidewalk, sub-teenaged hookers were hustling passersby, paying no attention to the cops, and the cops paying no attention to them. Kel took a long sip of warm beer as he watched a blubbery civ-serv in a rumpled, grey business uni approach the kids, haggle for a few seconds, and then waddle past the cops and Emmy with his hand kneading the butt of a garishly made-up 11-year-old in a see-through red mini. No, there was no reason to worry. Everything was normal.


watcherPublishers Weekly reviewed our new science fiction novel, The Watcher, by Nicholas P. Oakley, in their latest issue (11/15/13). Here’s the complete review:

The Watcher
Nicholas P. Oakley. See Sharp (IPG, dist.), $12.95 trade paper (230p) ISBN 978-1-937276-45-4

Tian’s people are hunter-gatherer nomads determined to preserve their consensus-driven, nonhierarchical society at all costs; by their lights, they are a free people. They are also abjectly poor, brutally conformist, willfully ignorant, and incapable of mustering a useful response to the predatory Qah raiders. Exiled because of her nonconformity, Tian encounters 578-MORI-AO142, one of the enigmatic Watchers; from “Mori,” Tian learns much about the greater universe that her people have rejected, a universe whose brutal conflicts are about to transform her world and Tian herself. Oakley’s ambitions are greater than his current skill-the frequent flashbacks are particularly obtrusive-but he provides a degree of complexity in what could very easily have been a one-sided didactic novel. This ambivalent examination of an idealist society and its less than ideal behavior offers the hope that Oakley will grow into a significant SF novelist. (Jan.)
Reviewed on 11/15/2013 | Details & Permalink<http://www.publishersweekly.com/978-1-937276-45-4>

The Watcher is now available via the standard retail outlets and via the See Sharp Press web site.


What exactly does  “anarchist science fiction” mean? Stories written by anarchists? Stories with anarchist characters? Stories with anarchist settings? Stories that make anarchist political and social points? Stories with an “anarchist sensibility” (whatever that is)? Stories that anarchists will simply enjoy? All of the above? Who knows…..

We coverBecause of this, I’ve taken a somewhat expansive approach and have included a number of non-anarchist political sci-fi novels in this list simply because I think anarchists would enjoy them. They comprise maybe a third of the total. I’ve added brief comments about books I’ve read recently and those that particularly stand out in memory. I’m still adding to the list, which is far from complete – it’s simply a list of books I’ve read and that I recommend. (I’ve included a couple that I don’t particularly like, but included anyway because they are specifically anarchist or part of a series;  in the comments preceding or following the titles, I’ve noted them.)

If you notice that any of your anarchist sci-fi favorites are missing from this list, please leave a comment mentioning them.

Here’s the list — the links go to reviews on this site.

Anarchy symbol

Margaret Atwood

  • The Handmaid’s Tale (1985). More speculative social fiction than science fiction,  The Handmaid’s Tale is Atwood’s horrifying vision of what would happen to America, and especially American women, if fundamentalists seized power. Antiauthoritarian, but not specifically anarchist.
  • Oryx and Crake (2003). The first book in the Maddaddam trilogy. An all too plausible, very well written look at the possible horrors of genetic engineering warped by profit-at-any-price corporate capitalism in a class-stratified, repressive sociopolitical system. It’s impressive in that it projects how current political, social, and technological trends in the U.S. and Canada (Atwood is Canadian) could develop and interact in coming decades; this is in sharp contrast to most sci-fi novels which will consider at most one such trend, and more often none.
  • The Year of the Flood (2009). The second book of the trilogy. Just as entertaining as Oryx and Crake, it deals with the same political, social, and technological issues, but also features an in-depth depiction of life inside a religious/ecological cult.
  • Maddaddam (2013). The final book in the trilogy. Just as engrossing as the previous two books, it adds a fair bit of material on the sleaziness and hypocrisy of fundamentalist religion, and much more on the extreme measures necessary to avoiding detection in a nearly all-seeing surveillance society.
  • The Testaments (2019). The Handmaid’s Tale sequel — haven’t read it yet.

Paolo BacigalupiWindup Girl cover

  • The Windup Girl (2009). Beautifully written. Probably the best cautionary tale about corporate-controlled genetic modification and control of food sources. Antiauthoritarian and anti-corporatist, but not specifically anarchist.

(Note: friends in the life sciences tell me that Bacigalupi is quite inaccurate in some biological specifics, that he’s every bit as inaccurate here as he is in portraying climate change in the Southwest in his otherwise very good The Water Knife (2015). Yes, these are cautionary tales, but gross inaccuracy is gross inaccuracy, and it tends to undercut the cautionary message. Still, these are both so well written and entertaining that I highly recommend them.)

Iain M. Banks

The following are Banks’ “Culture” novels–space opera on a grand scale. While set in the same universe, all work as stand-alone novels. All are set in a galaxy-spanning, far-future anarchist and atheist society, and all feature strong, believable characters (including AIs), complicated ethical dilemmas, and frequent dark humor. Of them, the two best are probably Player of Games and Surface Detail, and the weakest is probably The Hydrogen Sonata.

  • Consider Phlebas (1987)
  • The Player of Games (1988)
  • Use of Weapons (1990)
  • Excession (1996)
  • Inversions (1998)
  • Look to Windward (2000)
  • Matter (2008)Transition by Iain M. Banks
  • Surface Detail (2010)
  • The Hydrogen Sonata (2012)

Another of Banks’ sci-fi novels worth your time is

  • Transition (2009). It’s a parallel-worlds tale which deals with a wide range of social and political problems, ranging from the character deformation endemic to capitalism, to power-grubbing within hierarchies, to the question of whether the ends ever justify the means. The first half of the book is hard to follow, made up of disparate, apparently unrelated strands from the p.o.v. of different characters, but the tale eventually coalesces and concludes quite satisfactorily.

L.X. Beckett

  • Gamechanger (2019). This  pretty much has it all: direct electronic democracy, all-pervasive surveillance, pervasive social media, immersive VR, ecological disaster and recovery from it, alternative family structures, nonbinary characters, sentient AIs, and, yes, aliens.

Christopher Brown

  • Tropic of Kansas (2017). A gritty alternative-timeline story, with distinct anarchist overtones, of survival and resistance in an even more brutal and authoritarian present-day USA.

John Brunner

  • The Sheep Look Up. (1972) Probably the best early science fiction novel about the environmental crisis; antiauthoritarian, but not anarchist.

Several of Brunner’s other sci-fi novels are also enjoyable, particularly Shockwave Rider (1975) and The Crucible of Time (1983)(But don’t pick up one of Brunner’s novels at random and expect a good read — his output was very uneven.)

The Fourth World by Dennis Danvers front coverDennis Danvers

  • The Fourth World (2000). An intermediate-future novel set in the southern Mexico of the Zapatistas, and a very good — borderline great — book that deserves to have sold much better than it did.

Danvers has also written another anarchist sci-fi novel, The Watch (2003), a time travel novel set in Richmond, Virginia, featuring Peter Kropotkin as the primary character. It provides an accurate portrayal of Kropotkin and his ideas, but isn’t particularly engaging, in part because Danvers presents Kropotkin (in line with his actual character) as quite saintly and unconflicted, which isn’t a great prescription for the primary character in a novel.

Cory Doctorow

  • Walkaway (2017).  An intelligent, in places funny, near-future novel about the emergence of a post-scarcity anarchist society in the shadow of the “default reality” corporatist surveillance state.
  • Radicalized (2019). Not a novel, but rather a collection of four novellas (rather three novellas and a longish short story) dealing with the near future and such things as the treatment of refugees, the “Internet of Things,” healthcare, systemic racism through the lens of (yes) a superhero, and a fortified bunker for the super-rich in times of chaos. The tales are uniformly well written and emotionally affecting. This is probably Doctorow’s best book to date.

Many of Doctorow’s other sci-fi works are also enjoyable reads. One I’d recommend is The Great Big Beautiful Tomorrow (2011). As well, his Boing Boing blog routinely has a lot of interesting stuff.

Greg Egan

  • Distress  (1995). A hard sci-fi novel with pointed political and social commentary, largely set on an artificial island called “Stateless.” If you’re looking for a detailed description of how an anarchist society might operate, this isn’t it, but Distress is worth reading nonetheless.
  • The Four Thousand, The Eight Hundred (2016). An all too timely cautionary tale about xenophobia, demagoguery, scapegoating, and persecution of minorities. Not explicitly anarchist, but antiauthoritarian.

Omar El Akkad

  • American War (2017). Not anarchist, and only implicitly antiauthoritarian, American War is almost certainly the best fictional depiction of the psychological and physical devastation caused by America’s interventionist wars, and the hatred and terrorism they engender.

Mick Farren

  • cover of "The Armageddon Crazy" by Mick FarrenTheir Master’s War (1987). Antiauthoritarian but not anarchist. A page-turner concerning militarism, imperialism, and religious manipulation.
  • The Armageddon Crazy (1989). An antiauthoritarian, at times very funny, and all-too-relevant novel about a fundamentalist takeover of the U.S. government.

(These are Farren’s two best sci-fi novels, and the only two I’d unreservedly recommend.)

Harry Harrison

  • Bill, the Galactic Hero (1965). An astute, acidic, and oft-times amusing takedown of the military and militarism.
  • The Stainless Steel Rat Gets Drafted (1987). On the surface, this book seems to be escapist sci-fi, but it’s actually a well thought out political novel that perceptively treats mutualist anarchism and nonviolent resistance. Almost certainly the best book in the Stainless Steel Rat series.

Robert Heinlein

  • The Moon is a Harsh Mistress (1966). Deals with an anarcho-capitalist society on the moon at odds with an authoritarian Earth. This is likely Heinlein’s most libertarian work (in the laissez-faire capitalist sense of the word), and it’s much at odds with Heinlein’s overall authoritarian tendencies, notably expressed in Starship Troopers, which provoked a much-deserved take-down in Michael Moorcock’s famous essay, “Starship Stormtroopers.”

James P. HoganCode of the Lifemaker cover

  • Voyage from Yesteryear (1982). Features a setting directly derived from  Murray Bookchin’s Post-Scarcity Anarchism. Not Hogan’s best book — it pales in comparison with Code of the Lifemaker — but worth reading nonetheless.
  • Code of the Lifemaker (1983). Hogan’s very funny tale of science versus religious fanaticism is a nearly forgotten gem; not anarchist, but antiauthoritarian.
  • The Immortality Option (1995). The sequel to Code of the Lifemaker; it’s also worth reading, but be sure to read Code of the Lifemaker first.

Ursula Le Guin

  • The Left Hand of Darkness (1969). Leguin’s classic novel on gender relations.
  • The Dispossessed (1974). Considered by many the classic anarchist sci-fi novel, its backdrop, for half of the book, is an anarchist society set on the planet Anarres. That society is well drawn, though dryly and unflatteringly (at least in my opinion; others would disagree).

Of Le Guin’s many other novels, the one I’d most recommend is The Lathe of Heaven (1971), which holds up well nearly half a century after it appeared.


Ken Macleod

The first four novels are set in the same universe, but are not parts of a series. The next three are a loose trilogy.

  • The Stone Canal by Ken Macleod front coverThe Star Fraction (1995)
  • The Stone Canal (1996). The setting is an anarcho-capitalist society.
  • The Cassini Division (1998). The setting is an anarcho-communist society.
  • The Sky Road (1999)
  • Cosmonaut Keep (2000)
  • Dark Light (2001)
  • Engine City (2002)
  • The Night Sessions (2008). A cautionary tale of religious fanaticism
  • Intrusion (2012). A frighteningly plausible dystopian novel of an all-pervasive surveillance state. A modern 1984.
  • Corporation Wars: Dissidence (2016)
  • Corporation Wars: Insurgence (2016)
  • Corporation Wars: Emergence (2017)

Paul J. McAuley

  • The Quiet War (2008)Quiet War Omnibus
  • Gardens of the Sun (2009)

Antiauthoritarian but not anarchist, these two  novels comprise McAuley’s “Quiet War” series. They’re set in the medium-distant future following ecological collapse on Earth, and concern the brutal aggression of the authoritarian empires that emerged from the chaos against the in-some-ways anarchistic “Outers” who have colonized the moons of Jupiter and Saturn. There are two later novels set in the same universe, In the Mouth of the Whale (2012) and Evening’s Empires (2013).  These are largely stand-alone novels. In the Mouth of the Whale is best avoided (very slow reading), but Evening’s Empires is a pretty decent apolitical quest/revenge tale.

Many of McAuley’s other science fiction novels are worth reading. Two that come to mind are Pasquale’s Angel and White Devils.

Richard K. MorganAltered Carbon by Richard K. Morgan front cover

  • Altered Carbon (2002). The first of a brutal, noirish trilogy with distinct anarchist undertones. This provides one of the many examples of the book being better than the film or video adaptation.
  • Broken Angels (2003). The second in the series.
  • Woken Furies (2005). The third book in the series.
  • Market Forces (2004). An overtly political projection of the future of corporate capitalism.
  • Thirteen (2007). A very dystopian look at a future theofascist USA.

Morgan’s most recent sci-fi novel, Thin Air (2018), is worth a read. It’s less political than the Altered Carbon series, though its tone is similar.

Annalee NewitzAutonomous, by Annalee Newitz front cover

  • Autonomous (2017). Deals with the underestimated dangers of the corporate stranglehold on “intellectual property,” the horrors it could lead to, and possible forms of resistance to it.
  • The Future of Another Timeline (2019). Newitz’s recent feminist time-travel novel treads more familiar ground (TBGL/reproductive rights), but has very well drawn and diverse settings, well argued political/social points, and Newitz does a decent job of glossing over the paradoxes that are inevitable in any time-travel tale.

Claire North

  • 84K (2018). A well written, brutal dystopian tale about capitalism taken to its logical extreme (slavery — maximizing profits by minimizing labor costs). 84K is definitely not anarchist and is very short on solutions, but it does provide a gut-wrenching depiction of the emotional and physical carnage that seems all too possible should authoritarian capitalism continue careening downhill into the neoliberal chasm.

Nicholas P. Oakley

  • The Watcher (2014). Explores primitivism, the role of technology in society, and consensus decision making. (Full disclosure: See Sharp Press published this one.)

George Orwell

  • Animal Farm (1945). Orwell’s satirical critique of stalinism.
  • 1984 (1949). Dreary and depressing – as it’s intended to be – but essential. Orwell’s projection of the logical progression of stalinism.

Eliot Peper

  • Bandwidth (2018). A thought-provoking near-future thriller about online manipulation (basically Facebook on steroids), the climate change crisis, and whether the ends, no matter how noble, ever justify the means.

Marge Piercy

  • Woman on the Edge of Time  (1976)

Mike Resnick

  • A Hunger in the Soul (1998). Set in a barely disguised Africa, this is probably the best sci-fi treatment of the psychology of colonialism. Not anarchist, but well worth a read. If you haven’t read Joseph Conrad’s Heart of Darkness (1898) or his perhaps even better short story, “An Outpost of Progress” (1897), reading them would be good preparation before plunging into A Hunger in the Soul.

Alastair ReynoldsChasm City cover

  • Revelation Space (2000)
  • Chasm City (2001).

The “Revelation Space” novels comprise a fairly loose series set on and around a far future world featuring direct electronic democracy, human-machine integration, uplifted animals, class stratification, and orbiting habitats with a vast array of social structures.  All of the books in the series work as stand-alone novels.

One of the sequels, The Prefect (2007), is worth reading sheerly for its entertainment value, as is the recent Elysium Fire (2018). It features the same cast of characters as The Prefect, and is a tightly written tale of murder, mystery, and revenge.

Kim Stanley Robinson

  • Lucky Strike (2009). A fine if short parallel-universes novella on the morality of “just following orders.” This is Robinson at his best.

A number of readers have suggested including Robinson’s Mars Trilogy novels here (Red Mars [1992]; Green Mars [1993]; Blue Mars [1996]). I haven’t done so simply because this is a list of anarchist and anarchist-related novels that I would recommend, and I’m not a fan of those books. The two Robinson novels I would recommend (neither related to anarchism) are Galileo’s Dream  (2009) and Aurora (2015). Those interested in possible political developments in China might also want to check out his Red Moon (2018).

Rudy RuckerSoftware by Rudy Rucker

The “ware” books comprise a very funny short tetralogy (written before the average sci-fi novel bloated to 700 pages) set in part against the backdrop of a sympathetically portrayed anarchist mechanoid society on the moon. The first two books in particular are gems.

  • Software (1982)
  • Wetware (1988)
  • Freeware (1997)
  • Realware (2000)

Rucker is also a great short story writer: many of his tales are both mind-bogglingly strange and brimming with laugh-out-loud, sometimes-crude humor. His Complete Stories (2012) runs to over a thousand pages, and perhaps his two best non-“ware” humorous novels (it’s hard to pick) are The Sex Sphere (1983) and Master of Space and Time (1984).

C.J. Sansom

  • Dominion (2015). A quite well written and chilling political alternative-history novel about what might have happened in Britain if  the Conservative Party appeasement faction had reached a peace accord with Hitler in 1940 following the fall of France.

John Shirley

  • Bioshock Rapture (2012). This novel is a prequel to the popular Bioshock video game. It’s of interest because it concerns the development of a cloistered Objectivist (Ayn Randist) society. Shirley does a good job of outlining some of the horrors that such a society would produce, but the worst horrors he describes are produced by the cloistering, which undercuts the critique of Objectivism as such.  As well, because he was essentially in a straitjacket when he wrote this, Shirley incorporates fantastical elements from the game that are unnecessary from a fictional standpoint and that detract from the novel’s power. But it’s worth reading anyway.

Norman Spinrad

  • The Iron Dream coverThe Iron Dream (1972). Alternately chilling and darkly funny, The Iron Dream’s premise is that Hitler emigrated to the U.S. in the 1920s, became a science fiction illustrator, and wrote a single sci-fi novel: The Iron Dream. The bulk of Spinrad’s book is comprised of the “manuscript” of that “novel,” and is an excellent illustration of the ugliness of the authoritarian psyche.

Many of Spinrad’s other antiauthoritarian sci-fi novels, such as Greenhouse Summer (1999) and He Walked Among Us (2009), both of which concern the ecological crisis, are also worth reading, as is his recent oft-times humorous political genre bender (sci-fi/fantasy) The People’s Police (2017). Getting somewhat away from sci-fi, Mind Game (1980) is Spinrad’s insightful treatment of a barely disguised Church of Scientology, and probably the best novel about cults ever written.

Charles Stross

  • The Rhesus Chart, by Charles Stross, cover imageSingularity Sky (2003). A military sci-fi/time-travel tale that features anarchist characters in an authoritarian setting.
  • Iron Sunrise (2004). The sequel to Singularity Sky.
  • Glass House (2006). A suspenseful, brutal tale about gender roles and conformity.
  • The Apocalypse Codex (2012). One of Stross’s genre-bending, amusing Laundry Files series, The Apocalypse Codex deals with a televangelist, his literally brain dead followers, and tentacled Lovecraftian horrors. Its treatment of both the absurdity and deadly menace of Christian fundamentalism is spot on. (A note on the Laundry Files books: While they can be read as stand-alone novels, they’re a lot more fun to read if you read them in order, starting with The Atrocity Archives [2004]).
  • Neptune’s Brood (2013). A strange, sometimes funny story about the structure of interstellar finances and financial fraud. Part of the book is set in a sympathetically portrayed deep sea anarchist society of genetically modified humans.
  • The Rhesus Chart (2014). Another entertaining Laundry Files novel. The Rhesus Chart deals with the big banks, and has a clear, concise explanation of exactly how they’re screwing us.
  • The Delirium Brief (2017). This latest Laundry Files novel has privatization schemes as its backdrop, and contains an admirably concise explanation of how such schemes rob the public to the benefit of the rich and the corporations they control.
  • Empire Games (2017). The first book in the new “Merchant Princes” trilogy, Empire Games deals in large part with an even-more-overtly repressive, surveillance-state USA than our current pseudo-democratic nightmare.  Stross provides enough background information that Empire Games works as a stand-alone novel, but for the inconclusive ending.
  • Dark State (2018). The same comments apply to Dark State, the second book in the new trilogy. The third and final book, Invisible Sun, was originally scheduled for January 2019, has been delayed several times, and is now scheduled for March 2020.

Stross’s work is antiauthoritarian, though anarchism is treated overtly only in Neptune’s Brood. Almost all of his other books, particularly Halting State (2007), Rule 34 (2011), and nearly all of the Laundry Files novels are excellent reads.

Arkady and Boris StrugatskyDoomed City front cover

  • The Doomed City (2016). A bleak, brutal, indirect dissection of the Soviet Union and the ideology that produced its horrors. Written in 1972, the brothers Strugatsky kept this novel under wraps for over 15 years until it was finally published in Russian in 1989 during perestroika; at long last it’s now available in English. Unfortunately, the English-language version reads very poorly, as it’s quite probably an overly literal translation.
  • The Snail on the Slope (2018). A new translation of another Strugatsky classic dealing in large part with the insanity and inanity of Soviet-style bureaucracy. Much shorter than The Doomed City, with shallower criticism of the Soviet system, but an easier read. Again, the translation reads quite roughly.

Of the Strugatskys’ many other sci-fi novels, the two I’d most recommend are their two most popular: Roadside Picnic (1971) and Hard To Be a God (1964). Both are more coherent and much more entertaining than the two novels listed above, which are primarily of political interest. (I’d recommend the older translations of both books: the recent translations read poorly due almost certainly to excessive literalism. The older versions of the Strugatsky’s works read much more smoothly than the newer, too literal translations, and are much more enjoyable.)

George TurnerDrowning Towers front cover

  • Drowning Towers (UK title: The Sea and Summer) (1987). Drowning Towers was the first major novel about climate change and is still one of the best, if not the best. It’s not anarchist and barely antiauthoritarian, but it is acutely class conscious and a literary masterpiece.
  • Brain Child (1991). A chilling and plausible look at a possible result of the use of genetic engineering to produce a race (actually three races) of ubermenschen. It still holds up.

The quality of Turner’s science fiction novels (he was also a literary novelist) was uneven, but mostly good and sometimes great. Drowning Towers and Brain Child are by far his best books. His final two sci-fi novels, Genetic Soldier (1994) and Down There in Darkness (1999) are decidedly subpar, with the latter being downright awful. (I suspect Turner’s publisher patched together fragments of an incomplete novel.) All of Turner’s other sci-fi novels (plus one short story collection, A Pursuit of Miracles [1990]) are well worth a read.

T.C. Weber

  • Sleep State Interrupt (2016). A near-future noirish techno-thriller about combatting the surveillance state, and the first book in the BetterWorld trilogy. (Full disclosure: See Sharp Press published this one.)
  • The Wrath of Leviathan (2018). The second book in the trilogy. The concluding volume, Zero-Day Rising, is scheduled for release in March 2020.

Robert Anton Wilson and Robert Shea

  • The Illuminatus Trilogy (1975). More fantasy than science fiction, this hallucinogenic, sprawling mess of a trilogy veers wildly from the unreadable to the unparalleled, featuring sex, drugs, multiple first-person narrators, shifting chronology, stream-of-consciousness narrative, conspiracies on steroids, self-mockery, zombie Nazis, one of the funniest parodies of Ayn Rand’s capitalist-fantasy/romance novels ever written (“Telemacchus Sneezed,” featuring “John Guilt”), and occasional insightful comments on anarchism.

For those who’ve read and enjoyed The Illuminatus Trilogy, I’d also recommend Wilson’s Schroedinger’s Cat Trilogy (1979).

Yevgeny Zamyatin

  • We  (1924). Written by one of the first Soviet dissidents (within the Communist Party), this dreamy, nightmarish, poetic novel of an all-controlling police state is the direct forerunner of 1984.

 

Anarchy symbol

Related Posts

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Zeke Teflon, who compiled this list, is the author of Free Radicals: A Novel of Utopia and Dystopia, which takes place in part in an anarchist community. He’s currently working on the sequel in his copious free time.

Free Radicals front cover

 

Related articles


 

watcher

by Nicholas P. Oakley, author of The Watcher

1. Ben Beck’s Anarchism and Science Fiction Reading List
Perhaps the best of the bunch. Comprehensive and regularly updated. Definitely worth a look.

2. io9′s 10 Greatest Libertarian Science Fiction Stories  Even with the L-word in the title, still a strong list all the same. Recommended for beginners to the genre, and includes all the names you’d expect.

3. Mythmakers & Lawbreakers Anarchist Fiction Writers  From Margaret Killjoy’s excellent book, published by AK Press, a 26 page appendix listing a bunch of anarchist fiction writers (including bibliographies). Also listed are works of fiction that feature anarchist history, anarchist societies, anarchist characters, and even anarchist villains. Definitely worth downloading or bookmarking for those that have read most of the better known anarchist SF works and want to delve a little deeper.

4. Dan Clore’s Essential Science Fiction and Fantasy for Libertarians  I hesitate to put this one up, as it isn’t an “anarchist” list, but a libertarian one. That said, most of these picks are not controversial however you paint your own particular brand of anarchism, and Clore does a good job of highlighting a few neglected classics.

5. Left-wing SFF Listopia on Goodreads  Good, simple list of lefty and some anarchist SF. Perhaps the easiest to browse and check out some of the unfamiliar titles. Another one for the newcomer.

6. Anarchist Studies Network SFF Reading List  A pretty limited list, but does include Moorcock and MacLeod, as well as having some other bibliographical data too.

Originally posted at http://quercusrubra.co.uk

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